The Tradition of the Lambeg Drum


By

BILLY KENNEDY

The Lambeg Drum rivals the flute as the most traditional of Orange instruments. but its exact origin is open to debate. Folklore has it that the Lambeg drum was brought to Ireland from Holland by troops of Duke Schomberg, William's second in-command at the Boyne.

Another theory is that the first Lambeg drum was made for the Battle of the Diamond in September 1795, after which the Orange Order was formed. Sandy Row drum maker William Hewitt claims his grandfather made the first Lambeg drum in 1870 and it had its first appearance at a Twelfth demonstration in Lambeg the following year. This drum measured 86 centimetres in diameter and 61 centimetres in width, and is still in the possession of a Moira, Co. Down lodge. However, there are drums which pre-date the 1870 version - one in Belfast is marked with the name Walsh the drum maker and dated 1849, the year of the Battle of Dolly's Brae. It measures 72 centimetres in diameter and 61 centimetres in width and resembles present-day Lambeg drums, with a construction of two oak boards.

William did stop at Lambeg outside Lisburn on his way to the Boyne in 1690, and this could probably explain the name given to the large drums which have become such a dominant feature of Orange parades over the past ~50 years.

Various animal skins have been used for the drum heads. but today the goatskin is the most popular. The shell is mostlv of wood, but brass has been used. Drum sticks are of wooden cane.

The beating of drums has been associated with Orange processions since the formation of the Order in 1795. A drum was carried at a Twelfth demonstration in Co. Armagh in 1796, and Lord Gosford, of Markethill, confirms this in a letter to the Lord Lieutenant, Lord Camden in Dublin Castle.

"I have the honour to acquaint your excellency that the meeting of Orangemen took place in different parts of this county. One party, consisting Of 30 companies with banners etc'., after parading through Portadown, Loughgall, and Richhill came towards this place. the party had one drum and each company had a fife and two or three men in front with painted wands in their hands who acted as commanders."

The 1796 version was probably the first of the fife and drum combinations that were to become a celebrated part of Orange culture. Before the dramatic increase in bands by the early half of this centurv. the accompaniment of Orange lodges by drummers and fifers was a regular feature of parades. Lambeg drummers beat to a set rhythm or roll whether it he tune with another drum or a fife. The sound of the drum travels horizontallv and with the shrill tones of the fife moving in a vertical direction the two blend in quite a unique way.

Armagh, not surprisingly, has the strongest tradition of Lambeg drumming of any county in Northern Ireland. Travel the roads of Tandragee, Lurgan or Loughgall any evening leading up to the Twelfth and you are nearly bound to hear the staccato heat sounding out from a fully tightened drum over the summer night air.

Even prominent politicians like Jack Maginnis and the late Harold McCusker loved a crack with the cane on the goatskins that made up the head of a Lambeg drum.

But the advent of more bands on the scene has meant a reduction in the number of drums being carried at Twelfth parades. And even the traditionalists in Co. Armagh will admit that the place for Lambeg drums in the Twelfth walk is narrowing.

In the heyday of drumming - back in the thirties and forties - the 22 lodges of Tandragee Orange district usually had about 60 drums out on a Twelfth parade. Loughgall, Portadown. and Lurgan districts were the same and it was commonplace for 200 drums to be carried at the county demonstration with some of the drums being accompanied by a fifer,

Now the quota of drums taking part has been reduced to around 50 overall, most of them taken only by the Tandragee. Loughgall, Lurgan and Portadown Orangemen.

Getting drummers is also another problem for the lodges and sometimes it is left to a few enthusiasts in the number to look after the drums for the day. Most of the Co. Armagh drums, as elsewhere in the Province. are now owned bv individual members of a lodge and this allows greater freedom to participate in the many drumming matches that are held throughout Ulster from Februarv to November each year.

New drums can still be purchased from William Hewitt in Sandy Row at a cost of about £100 but there are also drum-makers in Carrickfergus and Tandragee. Some in centres from Co. Armagh to South Derry and South Antrim.

The weather is a factor in getting the best out of a drum and a summer heatwave was considered to be ideal. The warmer and drier it is the sweeter the tune. Wet weather spoils a good drum. There are no tunes as such in a Lambeg drum but each drummer has his own distinct rhythm and roll.

The drumming matches are organised by three different associations, the largest operating from Glenavy and carrying a Province-wide membership. The other two are in Mid-Ulster and in the Tandragee area. In addition to cups the prizes at drumming matches can include cash incentives for the winner.

It has now become largely a sport and 30-60 drums usually take part in the matches that are held every week-end in Belfast - drumming has practically died out in the city. But in most of the provincial centres, notably Co. Armagh, you will, even if the drums are fewer in number than they were in the halcyon days of the fifer.

Only a few traditional fifers remain - in the South Down and South Antrim areas. Unlike the drummers theirs is a dying art.

For Orangemen, the Twelfth would not be the same without a rattle or two on a Lambeg Drum.

 

 

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